Thursday 26 June 2008

Celebrated German opera, theatre director Grueber dies at 67








QUIMPER, France - Klaus Grueber, a German opera and theatre director renowned for lyric elegance and dispensing with convention, has died in western France, local officials said Monday. He was 67.

Grueber died Sunday on the Brittany island resort of Belle-Ile-en-Mer, where he had a second home, officials in the town of Le Palais said, without specifying the cause of death.

In a statement, French Culture Minister Christine Albanel praised Grueber as "an artist and man of rare elegance, whose humanity made each direction an encounter, a story of love."

Grueber broke the boundaries of his craft by bringing imagery from poetry to the theatre, and was "able to make water sing on an opera stage," Albanel said.

Grueber was born in 1941 in Neckarelz, Germany, and took up his career at age 23.

He often eschewed the limelight, deferring to better-known stars such as German actors Bruno Ganz and Bernhard Minetti.

Over the years, Gruber worked with the Berliner Schaubuehne in Germany, Piccolo Teatro in Milan, Italy, and in Zurich, Switzerland, for the Schauspielhaus.

His last project was the opera "Luci mie traditrici" by Sciarrino for this year's Salzburg Festival, which he was unable to finish.

"He was one of the most impressive artists of our time, whose every show demanded respect, whom every actor dreamed of working with," said Albanel.










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Wednesday 18 June 2008

New Keane album 'almost done'

Keane pianist Tim Rice-Oxley has revealed that the band have almost finished recording their third album.

In a posting on Keane's official website, he said the record will be "hypnotic and ethereal" and compared one unnamed track to Simon & Garfunkel.

"It's begging to burst into some kind of 'Only Living Boy in New York'-style [background vocal] extravaganza at the end," he said.

Rice-Oxley also revealed that a musical saw, which he first heard in the film Delicatessen, would feature prominently on the album.

"We've had brilliant musical saw players down to play, and it does sound utterly hypnotic and ethereal," he commented.

> Keane: 'Our new album is uncool'



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Monday 9 June 2008

Jay Sean, My Own Way

From one angle Ride It – Jay Sean's comeback single from last year – saw the Hounslow-born artist in exactly the same place as he was when he broke through in 2003 with Dance With You: Talking about cruising the clubs and making eyes at the ladies. Yet from others he couldn’t be more different, for where Dance With You bumped along on producer Rishi Rich's Desi beats the only obvious Asian influences in Ride It are the Eastern-tinged strings in this smooth r 'n' b groove, whilst cocksure confidence in the lyrical chat-up lines has been replaced by words and delivery that seem more wavering and vulnerable. Indeed, on the evidence of new single Maybe and plenty of other tracks on his second album Jay hasn't spent the four years since his debut Me Against Myself LP fighting off the hordes of females he's charmed with his moves, but rather disconsolately checking his mobile and Facebook for messages from that 'special someone' after she's stood him up agai! n.

The truth is actually rather different of course, for Jay has been building up his fanbase in the UK and India, racking up platinum sales many times over. Not that this was enough for his former record label Relentless, who were apparently unhappy with his new album, My Own Way, now being released on Jay's own label. For if Relentless thought they'd bagged themselves the first UK Asian rap and r 'n' b crossover star with his debut album, the follow-up suggests he's actually transformed into the Asian Craig David instead.

Recorded in New York and London with producers J-Remy and Duro, My Own Way contains not a single nod towards hip-hop save for I Won't Tell, and instead finds Jay singing in a voice so syrupy you could make a cake with it. Individually there's nothing wrong with the songwriting of tracks like Stay, but when everything becomes stuck around the same midtempo bump 'n' grind rhythm whilst Jay warbles about his women woes you might begin to suspect that the reason some girls seem to keep leaving him is simply because he's become a little bit dull.

Sunday 1 June 2008

The Suicide Machines

The Suicide Machines   
Artist: The Suicide Machines

   Genre(s): 
Punk
   Rock: Punk-Rock
   



Discography:


War Profiteering Is Killing Us All   
 War Profiteering Is Killing Us All

   Year: 2005   
Tracks: 14


A Match And Some Gasoline   
 A Match And Some Gasoline

   Year: 2003   
Tracks: 13


Destruction By Definition   
 Destruction By Definition

   Year: 1996   
Tracks: 16


The Least Worst of the Suicide Machines (BEST)   
 The Least Worst of the Suicide Machines (BEST)

   Year:    
Tracks: 30


Suicide Machines   
 Suicide Machines

   Year:    
Tracks: 14


Steal this record   
 Steal this record

   Year:    
Tracks: 14


Live Suicide   
 Live Suicide

   Year:    
Tracks: 12


Battle Hymns   
 Battle Hymns

   Year:    
Tracks: 22